Community opportunity through Carnegie's Call to Artists

For nearly 40 years, The Carnegie has strengthened the Northern Kentucky community as a venue that displays, fosters and inspires creativity in both the visual and performing arts. One way it fulfills that mission is through its annual Call to Artists, which is now underway.

Call to Artists provides a means for the nonprofit to expose the work of local and regional artists, as it selects enough pieces to fill its six galleries for the 2014 season with more than 30 solo and group shows. 

Gallery director and curator Bill Seitz says he’s fine-tuned the process behind the Call to Artists by ensuring that the work chosen is based solely on artistic merit, as all of the artists are juried anonymously. 

“Each artist is equal; it doesn’t matter," Seitz says. "I tell artists, ‘I don’t care if you’re in the Museum of Modern Art. The only way you’re getting a show here is because your work’s good.' I have friends who have never gotten a show here because they haven’t made the cut. Give me the best art and artists, and they’ll give me the best shows.” 

Seitz says the fact that work is chosen anonymously is part of the beauty of the process. “I know in the world, you can get a lot of things on who you know, but here, I put everyone—especially the artists—on equal playing turf.” 

When Seitz says he puts everyone on equal playing turf, he means it, because The Carnegie’s galleries are meant for everyone in the public to enjoy—not just art aficionados who seem to understand and connect with every piece they see.

“I think a lot of people get intimidated coming to galleries because you have that elitism stereotype attached to it, and we try to break that down," Seitz says. "We try to make that personal. When you come in, you’re family. If you don’t like something, that’s okay.” 

According to Seitz, It’s not expected or even fair to assume that one particular show will capture the attention of everyone. There are some pieces in the gallery that he says even he doesn’t like, and he wants the public to know that that’s okay and perfectly normal. 

“You’ll run into somebody who’ll say, ‘Well, all he showed was contemporary artwork, and it’s not my thing,’" he says. "So I’ll say, ‘You didn’t see the glass show or the basket show or the craft show.' I do 30 to 40 shows a year. We try to put a little bit of everything in there. You cant like it all—because I don’t like it all—but you’re going to come and hopefully find something you like or find something that maybe enlightens you about something you didn’t know you like.” 

There are all kinds of art, and variety is something the Call to Artists prides itself on finding. From photography, to art made from paper, food or even hair, the exhibitions don’t place value on one type of art over another, but instead encompass a wide array of work, from as many artists of differing abilities as is possible. 

“You’ve got to put everything in perspective," Setiz says. "The biggest thing I tell people is I’m happy that you came, happy that you showed up, that you looked at art, that there was something there that you enjoyed that made you happy, that you looked at something and communicated with it."

“That’s what art is—visual communication. It’s like sitting down with a book—that’s written communication. You can put on a CD or go to a movie or a theatrical performance—there are different art forms, but see the talent that’s basically in your own backyard. The fun part of it is that this is your own; they’re your own talent; these are people that live right in this area.” 

Do Good:

• Visit The Carnegie's current gallery exhibition "Pulp Art."

• Submit your artwork for review with the Call to Artists.

• Support The Carnegie by becoming a member.

By Brittany York

Brittany York is a professor of English composition at the University of Cincinnati and a teacher at the Regional Institute of Torah and Secular Studies. She also edits the For Good section of SoapboxMedia.